Tracey Baran: In Process, Leslie Tonkonow Artworks + Projects, New York
Pictures of Tracey: Photographs by Tracey Baran, Leslie Tonkonow Artworks + Projects, New York
Note to Self, Arratia Beer, Berlin, Germany
See Through Me, Leslie Tonkonow Artworks + Projects, New York
Red, Leslie Tonkonow Artworks + Projects, New York
The Museum of Contemporary Photography, Chicago
Still, Liebman Magnan, New York
Give and Take, Liebman Magnan, New York
Liebman Magnan, New York
MOTHER, Mason Exhibitions, Arlington, Virginia
Contemporary Photography from the Collection, Palm Springs Art Museum, California
Work from the Collection of Francie Bishop Good & David Horvitz, Girls Club, Fort Lauderdale, Florida
Labor: Motherhood & Art, New Mexico State University Art Museum, Las Cruces
Smoke Show, Elephant Gallery, Nashville
The Space Between, Julie Saul Gallery, New York
MOTHER, Leslie Tonkonow Artworks + Projects, New York
Affecting Images: Photography’s Pursuit of Intimacy, Katonah Museum of Art, Katonah, N.Y.
Figure and Form in Contemporary Photography, Los Angeles County Museum of Art
No Fashion, Please! Kunsthalle Wien, Vienna, Austria
HUNT & CHASE, Salomon Contemporary Warehouse, East Hampton, N.Y.
Photographs from the James K. Patterson Collection: Salon Style, The Brooks Museum, Memphis, Tennessee
The Visible Vagina, Francis M. Naumann Fine Art and David Nolan Gallery, New York
Pictures: Tracey Baran, Nikki S. Lee, Laurel Nakadate, & Kunié Sugiura, Leslie Tonkonow Artworks + Projects, New York
Topography, Tavi Dresdner Gallery, Tel Aviv, Israel
Carnival Within, Uferhallen, Berlin, Germany
utopia/dystopia, Leslie Tonkonow Artworks + Projects, New York, New York
June Bride, Yossi Milo Gallery, New York
Home, Alice Austin House Museum, Staten Island, N.Y.
Speaking with Hands: Photographs from the Buhl Collection, Folkwang Museum, Essen, Germany;
The State Russian Museum, Saint Petersburg, Russia
Artists Interrogate: Race and Identity, The Milwaukee Art Museum
Speaking with Hands: Photographs from the Buhl Collection, Guggenheim Museum, Bilbao, Spain
Eccentric Modern, The Foundation To-Life Inc., Exhibition Space, Mount Kisco, N.Y.
A Kiss Isn't Just a Kiss …, Contemporary Art Galleries, University of Connecticut, Storrs, Connecticut
Heartfelt, Museum of Fine Arts, Florida State University, Tallahassee, Florida
Pairs, Groups and Grids, Leslie Tonkonow Artworks + Projects, New York
Speaking with Hands: Photographs from the Buhl Collection, Solomon R. Guggenheim Museum,
Rimbaud, curated by Max Henry, I-20 Gallery, New York
Signs of Being, The Foundation To-Life Inc., Exhibition Space, Mount Kisco, N.Y.
Extreme Landscape, The Hunterdon Museum, Hunterdon, N.J.
Me, Myself & I: Looking at Portraiture, CRG Gallery, New York
Presence, The Foundation To-Life, Inc. Exhibition Space, Mount Kisco, N.Y.
Faces and Figures, Douglas Udell Gallery, Vancouver, Canada
Greater New York, P.S.1 Contemporary Art Center, Long Island City, N.Y.
Psychosoma, Lombard Fried, New York
NONPLUSULTRA, Fiebach & Minninger Galerie, Cologne, Germany
Mommie Dearest, Gimpel Fils Gallery, London
Gallery Artists, Liebman Magnan, New York
The Comforts of Home, Hand Workshop Art Center, Richmond, Virginia
Female, curated by Vince Aletti, Wessel + O’Connor Gallery, New York
Nature/Culture, Hales Gallery and Gimpel Fils Gallery, London
International House and Garden, Pusan Metropolitan Art Museum, South Korea
Neighborhood Watch, Julie Saul Gallery, New York
Personal Touch, Art in General, New York
Los Angeles County Museum of Art
Yale University Art Gallery, New Haven, Conn.
Milwaukee Art Museum
Hessel Museum of Art, Bard College, Annandale-on Hudson, N.Y.
Miami Art Museum
The Capital Group, Los Angeles
“Tracey Baran,” The New Yorker, September 14, 2009.
“Tracey Baran,” Dear Dave, Spring 2009
Eve Therond, “New York: L'emotion brute de Tracey Baran,” PHOTO Nº 462, September 2009
Gunnar Luetzow, “Weddinger Uferhallen zeigen Kunst made in America,” Berliner Morgenpost, April 2, 2009.
Robertson, Rebecca. “Tracey Baran,” ARTnews, Summer 2006.
Jean Dykstra, “Tracey Baran at Leslie Tonkonow Artworks + Projects,” Art On Paper, May/June 2006.
Aletti, Vince. “Family Observations,” The New Yorker, March 6, 2006.
Johnson, Ken. “Tracey Baran,” The New York Times, March 10, 2006.
Blessing, Jennifer. Speaking with Hands: Photographs from the Buhl Collection (New York: Solomon R. Guggenheim Museum, 2004).
Henry, Max. “Tracey Baran” Art Review, May 2004.
Smith, Robert. “Rimbaud,” The New York Times, Friday July 30, 2004.
Vince, Aletti. “Tracey Baran,” The Village Voice, March 24–30, 2004.
Keer, Merrily. “Tracey Baran, Red,” Time Out, Issue 443, March 25– April 1, 2004.
Gerber Klein, Michele. “Take a Holiday,” Quest Magazine, December 2003.
Bishoff, Dan. “Familiar Landscapes Through an Extreme Eye,” Sunday Star Ledger, August 2003.
Genocchio, Benjamin. “Landscapes that Push the Boundaries,” The New York Times, September 2003.
Schwabsky, Barry, “Tracy Baran: The Museum of Contemporary Photography, Chicago,” Art on Paper, March 2003.
Bayliss, Sara. “Best Bets: Art-World Insiders Identify Great Values In Today’s Market,” ARTnews, Summer 2001.
Kostabi, Mark. “Mark Kostabi on Tracey Baran,” Shout, May, 2001.
Volk, Gregory. “Tracey Baran at Liebman Magnan,” Art in America, November 2001.
Schwabsky, Barry. “Tracey Baran: Give and Take,” Artforum, January 2000.
Stevens, Mark. “21st-Century Express,” New York Magazine, March 13, 2000.
Aletti, Vince. …Voice Choice/Recommended,” The Village Voice, November 1999.
Glueck, Grace. “Art Guide: Female at Wessel O’Connor Gallery,” The New York Times, September 24, 1999.
Hicks, Robert. “Tracey Baran: Give and Take,” Time Out New York, November 25– December 2, 1999.
“Short List: Photography,” The New Yorker, November 8, 1999.
Aletti, Vince. “Voice Choice/Recommended,” The Village Voice, May 19, 1998.
Aletti, Vince. “Short List,“ The Village Voice, June 23, 1998.
Chambers, Christopher. NY Arts Magazine, June 1998.
“Mob Rule #14,” NY Arts Magazine, July/August 1998.
Sand, Olivia. “Artist of the Month,” Contemporary Art Report, June 1998.
Volk, Gregory and Sabine Russ. “International House and Garden,” in Light on the New Millennium – Wind from Extreme Orient, 1998 Pusan International Contemporary Art Festival Pusan Metropolitan Museum of Art, South Korea (exhibition catalogue).